Southern Gospel

Southern Gospel music (sometimes marketed as Quartet music) is music that is written to express either personal or a communal belief regarding Christian life, as well as (in terms of the varying music styles) to give a Christian alternative to mainstream secular music. Southern Gospel is a form of Christian music and a subgenre of Gospel music.

Like other forms of music the creation, performance, significance, and even the definition of Southern Gospel varies according to culture and social context. It is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace. However, a common theme as with most Christian music is praise, worship or thanks to God and/or Christ.

The date of Southern Gospel's establishment as a distinct genre is generally considered to be 1910, which is the year the first professional quartet was formed for the purpose of selling songbooks for the James D. Vaughan Music Publishing Company. However, the style of music itself had existed for at least 35 years prior, although the traditional wisdom that Southern Gospel music was "invented" in the 1870s by circuit preacher Everett Beverly is spurious.

Southern Gospel is sometimes called "quartet music" by fans due to the original all male, tenor-lead-baritone-bass quartet make-up. Early quartets were typically accompanied only by piano or guitar, and in some cases a piano and banjo. Over time, full bands were added and even later, pre-record accompaniments were introduced. A typical modern Southern Gospel group performs with pre-recorded tracks augmented by a piano player and possibly a few other musicians.

Some of the genre's roots can be found in the publishing work and "normal schools" of Aldine S. Kieffer and Ephraim Ruebush. Southern Gospel was promoted by traveling singing school teachers, quartets, and shape note music publishing companies such as the A. J. Showalter Company (1879) and the Stamps-Baxter Music and Printing Company. Over time, Southern Gospel came to be an eclectic musical form with groups singing black gospel-influenced songs, traditional hymns, a capella (jazz-style singing with no instruments) songs, country gospel, bluegrass, and the difficult 'convention songs'.

Convention songs typically have contrasting homophonic and contrapuntal sections. In the homophonic sections, the four parts sing the same words and rhythms. In the contrapuntal sections, each group member has a unique lyric and rhythm. These songs are called 'convention songs' because various conventions were organized across the United States for the purpose of getting together regularly and singing songs in this style. Convention songs were employed by training centers like the Stamps-Baxter School Of Music as a way to teach quartet members how to concentrate on singing their own part. Examples of convention songs include "Heavenly Parade," "I'm Living In Canaan Now," "Give the World a Smile," and "Heaven's Jubilee."

In the first decades of the twentieth century, Southern Gospel drew much of its creative energy from the Holiness movement churches that arose throughout the south. Early gospel artists such as Smith's Sacred Singers, The Speer Family, The Stamps Quartet, The Blackwood Family, The Lefevre Trio, achieved wide popularity through their recordings and radio performances in the 1920s, 1930s, 1940s and 1950s. On October 20, 1927,The Stamps Quartet recorded their early hit "Give The World A Smile" for Victor, which become their theme song. The Stamps Quartet was heard on the radio throughout Texas and the South.